The second Unseen mini film festival, opened in Cavtat on September 26. Until the end of September 2018 it will present three different selections of films, along with the workshops, discursive programme and concerts. After short speeches given by one of the programme coordinators Karla Crnčević and Ivana Ivković on behalf of the jury, the coordinator of the Festival’s Discursive Program Mario Kikaš announced the first screenings for the opening of the second mini film festival Unseen – short film Almost Nothing: So Continues the Night by Davor Sanvincenti, awarded Octavian for the best experimental film on Croatian Film Days
The end of September brings the second edition of the Unseen mini film festival to Cavtat, which will, in five days, from 26 to 30 September, present three selections of films, two workshops and three concerts. The opening of the festival at the Hotel Supetar Park in Cavtat on 26 September at 8 PM, will be followed by screening of two films, Almost Nothing: So Continues the Night by Davor Sanvincenti, awarded Octavian for the best experimental film on Croatian Film Days, to be presented in Cavtat at 8.30 PM and Occupied cinema by Senka Domanović, that premiered at the
Hanis Bagashov (MK) 2018., igrani / fiction 15’50” Angel, quiet and withdrawn boy, goes with his friend Mishko to pick apples, in order to sell them later. But, as the day passes, Angel is increasingly facing the cruelty of Mishko and his own parents.
Goran Stolevski (MK) 2017., igrani / fiction 18’30” In the way she carries herself, 18-year-old Aneta barely differs from the boys. Because of this and an uncomfortable cell phone recording doing the rounds, she and her only friend are mocked as “lesbians”. This destroys their friendship. Meanwhile, Aneta also has to deal with family problems. Her father is slowly losing his battle with cancer. When his TV breaks down, his suffering seems to increase. Aneta comes up with an idea. She has to convince the village priest to let her participate in a centuries-old all-male church ritual. If allowed to
Nina Kurtela (HR) 2010., eksperimantalni / experimantal 5’48”
Jovana Avramović (RS?) 2017., igrani / fiction 17’55”
Nikolce Popovski (MK?) 2017., igrani / fiction 13′ The last remaining occupant of an old abandoned village communicates with the last remaining occupant of the neighbouring village via the church bell.
Luka Galešić (HR) 2016., igrani / fiction 16′
Jovana Kovanović (RS) 2017., igrani / fiction Mlad, pomodan par, nailazi na čoveka u nesvesti, blizu pruge na periferiji grada. Njih dvoje su u žurbi da stignu na njima bitan događaj, koji organizuje važan prijatelj, i moraju da odluče šta da rade.
Sunčica Ana Veldić (HR) 2017., dokumentarni / documentary Autorica filma je studentica dokumentarne režije na Akademiji dramske umjetnosti, potekla iz Kinokluba Zagreb. Nakon godina stvaranja avangardnih i neobičnih filmova, pokušava napraviti film čvrste strukture. To joj baš ne ide pa nastoji razložiti vlastitu kreativnu nemoć prokazujući pritom apsurd modela nametnutih umjetničkim obrazovanjem.
Marko Šantić (HR) 2017., igrani / fiction 14′
Odeta Çunaj (AL) 2017., igrani / fiction 13’33” Vesa, a former singer, meets a fan of hers who tries to shed light on her life.
Sunčana Brkulj (HR) 2018., animirani / animated 2’18”
Tina Bikić (HR) 2018., eksperimentalni / experimental 2’47”
Mihaela Rašica (HR) 2018., animirani / animated 3’00”
Iva Kostić (HR) 2017., animirani / animated 10’32”
Sorayos Prapapan (TH) 2017., igrani / fiction, 16’ Voice of the people are often neglected, same as sound in film that audience don’t care. Two sound recordists are working on final mix of a short film. Will their sound be heard by someone?
Sara Jurinčić: 3. rujna 2015., Škola dokumentarnog filma 2018., 9′ Sve vijesti iz broja novina 3.9.2015. u tom trenutku postale su stvarne. Banalnosti tog dana i osobna sjećanja pomješali su se u gulaš.
Nikolina Bodanović: Mjesto odakle vam pišem pisma, Škola dokumentarnog filma 2018., 9′ Pedesetih godina bakina se sestra s mužem seli u Njemačku. Fotografije koje šalje dokumentiraju njihov novi život na Zapadu.
Pavleković Preis Sara: Ali, ja ne znam drugačije, Škola dokumentarnog filma 2018., 15′