Мишко / Mishko

Hanis Bagashov (MK) 2018., igrani / fiction 15’50” Angel, quiet and withdrawn boy, goes with his friend Mishko to pick apples, in order to sell them later. But, as the day passes, Angel is increasingly facing the cruelty of Mishko and his own parents.

Vidi ja ti nea / Would you look at her

Goran Stolevski (MK) 2017., igrani / fiction 18’30” In the way she carries herself, 18-year-old Aneta barely differs from the boys. Because of this and an uncomfortable cell phone recording doing the rounds, she and her only friend are mocked as “lesbians”. This destroys their friendship. Meanwhile, Aneta also has to deal with family problems. Her father is slowly losing his battle with cancer. When his TV breaks down, his suffering seems to increase. Aneta comes up with an idea. She has to convince the village priest to let her participate in a centuries-old all-male church ritual. If allowed to

The Last Church Bells

Nikolce Popovski (MK?) 2017., igrani / fiction 13′ The last remaining occupant of an old abandoned village communicates with the last remaining occupant of the neighbouring village via the church bell.

Prioritet / Priority

Jovana Kovanović (RS) 2017., igrani / fiction Mlad, pomodan par, nailazi na čoveka u nesvesti, blizu pruge na periferiji grada. Njih dvoje su u žurbi da stignu na njima bitan događaj, koji organizuje važan prijatelj, i moraju da odluče šta da rade.

Precijenjena dramaturgija / Drama is Overrated

Sunčica Ana Veldić (HR) 2017., dokumentarni / documentary Autorica filma je studentica dokumentarne režije na Akademiji dramske umjetnosti, potekla iz Kinokluba Zagreb. Nakon godina stvaranja avangardnih i neobičnih filmova, pokušava napraviti film čvrste strukture. To joj baš ne ide pa nastoji razložiti vlastitu kreativnu nemoć prokazujući pritom apsurd modela nametnutih umjetničkim obrazovanjem.

3. rujna 2015.

Sara Jurinčić: 3. rujna 2015., Škola dokumentarnog filma 2018., 9′ Sve vijesti iz broja novina 3.9.2015. u tom trenutku postale su stvarne. Banalnosti tog dana i osobna sjećanja pomješali su se u gulaš.

Mjesto odakle vam pišem pisma

Nikolina Bodanović: Mjesto odakle vam pišem pisma, Škola dokumentarnog filma 2018., 9′ Pedesetih godina bakina se sestra s mužem seli u Njemačku. Fotografije koje šalje dokumentiraju njihov novi život na Zapadu.

Leptiri / Butterflies

Tolga Karaçelik (Turska), 2018., igrani/feature, 117′ Siblings Cemal, Kenan and Suzi have grown apart since leaving the tiny village where they grew up. When an unexpected call from their estranged father demands they return to the village immediately, Cemal is tasked with convincing his brother and sister to take the road trip. As they try to piece the dysfunctional family back together and confront their past, they’ll have to contend with each other’s peculiarities and get to know one another again, even as the strangest elements of all await them in the village. Film won the Grand Jury Prize at