Tina Bikić (HR) 2018., eksperimentalni / experimental 2’47”
Mihaela Rašica (HR) 2018., animirani / animated 3’00”
Iva Kostić (HR) 2017., animirani / animated 10’32”
Sorayos Prapapan (TH) 2017., igrani / fiction, 16’ Voice of the people are often neglected, same as sound in film that audience don’t care. Two sound recordists are working on final mix of a short film. Will their sound be heard by someone?
Sara Jurinčić: 3. rujna 2015., Škola dokumentarnog filma 2018., 9′ Sve vijesti iz broja novina 3.9.2015. u tom trenutku postale su stvarne. Banalnosti tog dana i osobna sjećanja pomješali su se u gulaš.
Nikolina Bodanović: Mjesto odakle vam pišem pisma, Škola dokumentarnog filma 2018., 9′ Pedesetih godina bakina se sestra s mužem seli u Njemačku. Fotografije koje šalje dokumentiraju njihov novi život na Zapadu.
Pavleković Preis Sara: Ali, ja ne znam drugačije, Škola dokumentarnog filma 2018., 15′
Tolga Karaçelik (Turska), 2018., igrani/feature, 117′ Siblings Cemal, Kenan and Suzi have grown apart since leaving the tiny village where they grew up. When an unexpected call from their estranged father demands they return to the village immediately, Cemal is tasked with convincing his brother and sister to take the road trip. As they try to piece the dysfunctional family back together and confront their past, they’ll have to contend with each other’s peculiarities and get to know one another again, even as the strangest elements of all await them in the village. Film won the Grand Jury Prize at
Mila Turajlić (SRB), 2017., dokumentarni/documentary, 100’ A chronicle of a Serbian family turns into a painful portrayal of activists at the time of great turmoil and questions the responsibility of every generation to fight for its future.
Shevaun Mizrahi (SAD, TUR, NZ) · 2017., dokumentarni / documentary, 80′ This haunted reverie drops us inside an Istanbul retirement home, where the battle-scarred residents bask in the camera’s attention. A creaky – voiced woman confides her personal account of the Armenian genocide. A sweetly deluded pianist performs a composition before confessing his love. A blind photographer fiddles with his flash as he points his own camera back at us. Shevaun Mizrahi’s playful, immaculately controlled film finds hypnotizing rhythms in the residents’ limbo-like state. Meanwhile, outside, ominous construction equipment transforms the land.
Andreas M. Dalsgaard (Danska), 2012., dokumentarni/documentary, 83’ For 40 years, Danish architect Jan Gehl has studied human behavior in cities, starting with what he calls “Life Between Buildings.” Gehl has documented how modern cities repel human interaction and argues that we can build cities in a way that takes human needs for inclusion and intimacy into account. In Copenhagen, Gehl has inspired the creation of pedestrian streets and bike paths and the organization of parks, squares and other public spaces throughout the city.
Bill Morrison (SAD), 2016., dokumentarni / documentary, 120′
Davor Sanvincenti (HR), 2017. eksperimentalni / experimental 12’ For us, a thought always presupposes a society, a culture, and, above all, the consciousness of time. The film revolves around a light bulb like the Earth around the Sun. Light makes the film visible. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
Senka Domanović (SRB), 2018. dokumentarni / documentray, 87` Occupied cinema is a film about guerrilla action initiated by young activists taking over privatized cinema Zvezda in Belgrade, Serbia. This activity united various social groups that shared the same ambition – to change the reality in which they live. However, their views about how that reality should look like were not the same.
Center for Dramatic Arts (CDU) opens a public call for the admission of audiovisual works to the second edition of the Unseen Mini Film Festival, to be held in Cavtat from 26th of September – 1st of October 2018. Authors up to 35 years from the South East Europe (Albania, Bosnia and Herzegovina, Bulgaria, Montenegro, Greece, Turkey, Croatia, Kosovo, Macedonia, Romania, Serbia and Slovenia) can apply for the competition. Short meter movies (not longer in duration than 20 minutes, including credits) of all subjects and genres, as well as interdisciplinary audiovisual works, can be submitted to the competition. All films
We are proud to announce that you will have chance to see two screenings of beautiful short movie Hedgehog’s Home. Exquisitely directed by Eva Cvijanović, Hedgehog’s Home is a warm and universal tale for young and old that reminds us there truly is no place like home. Hedgehog’s Home will be screened on Saturday, 30.9, 11:00AM and on Sunday, 1.10, 9:30PM! About movie: In a lush and lively forest lives a hedgehog. He is respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys a quartet of insatiable beasts. Together, they march off towards Hedgehog’s
Benjamin Cantu, director and producer with Berlin address is going to join us in Cavtat to show his award-winning film “Because of Who I Am” (collaboration with producer Nils Bökamp) and discuss about it. Benjamin was this years Berlinale selector in category Generation14PLUS. About film: How loud, provocative and risk-taking must art be to trigger change? A restless film about queer artists, performers and visual activists who raise their voices in some of the world’s most homophobic places.
We are happy to share with you that this year, during Unseen festival, you will be able to meet SIMKA – visual duo from Sweden who combine their knowledge and skill from visual art, set design and landscape architecture. SIMKA is cooperation project between two visal artists, Simon Häggblom and Karin Lind. Their artistic activities are investigation and formation of different spaces and sites for human interaction. At Unseen Festival this year, there will be projections of their visual projects as well as workshop.
September 29th, within the discursive program, we will host director Igor Bezinović, winner of this year’s Golden Arena for the Best Movie, as well as a multi-year educator at Restart‘s School of Documentary Film. We will talk about methods of out-of-institutional and amateur artistry of young authors, and you will have the opportunity to see selection of Restart School productions. On the same day, we have a great honor to work with one of the more successful festivals in this area – DokuFest from Prizren, Kosovo. We will be visited by: Linda Llulla Gashi, Program Leader Future is here Alba
Jury decided! Take a look which films are going to be shown in one part of program on beautiful Cavtat outdoor locations; on first edition of Unseen, mini film festival:</br></br> Samo Guraj/Just Push; 2016., d: Arnes Hamzić, BiH</br></br> Revolucionarni dom/ Revolutionary Home; 2016. d: Sead Šabotić, Montenegro</br></br> Bernard sau Limitele Construcției/ Bernard or The Limits of Construction; 2016. d: Cristian Drăgan, Romania</br></br> I know you are but what am I?; 2016. r: Nađa Sinić, BiH</br></br> Quiero decirte/ I Would Like To Tell You, 2017., d: Stefan M. Mladenovic, Srbia</br></br> Jump cut, 2017. d: Rumen Russev & Vassil Kotzev, Bulgaria</br></br> Eho;